Vanessa Hope

Filmmaker

Double Hope Films

Vanessa Hope is an award-winning director, writer, and producer whose internationally minded films span the U.S., China, Afghanistan, and Taiwan. Her most recent documentary, Invisible Nation, follows Taiwan’s first female president, Tsai Ing-wen, across two terms through 2024, capturing the island’s democratic transformation under the shadow of Chinese aggression and the resilience of its people. After a groundbreaking “NonDē” U.S. release and acclaimed festival and broadcast run internationally, Invisible Nation opened theatrically in Taiwan in June 2025 and became the third highest-grossing documentary in the nation’s history.

Hope’s producing credits include Wang Quanan’s The Story of Ermei (Berlinale); Chantal Akerman’s Tombee de Nuit sur Shanghai from the omnibus The State of the World (Cannes); Zeina Durra’s The Imperialists Are Still Alive! (Sundance); Sarah & Emily Kunstler’s Academy Award–shortlisted William Kunstler: Disturbing the Universe (Sundance); their SXSW award-winner Who We Are: A Chronicle of Racism in America; and Paula James-Martinez’s Born Free (EP).

As a director, she debuted with All Eyes and Ears, a Tribeca-premiering feature on U.S.–China relations, and her short China in Three Words screened at DOC NYC. She also co-wrote and co-hosted the 10-episode podcast Love Is a Crime with Karina Longworth, starring Jon Hamm as Walter Wanger and Zooey Deschanel as Joan Bennett.

With her husband, producer Ted Hope, she runs Double Hope Films. A former Council on Foreign Relations staffer, Vanessa holds a B.A. from the University of Chicago, completed doctoral coursework at Columbia, is fluent in Mandarin and French, and writes the Substack newsletter Dream of a Better World.

Participating Sessions

DX ACCESS

DX ACCESS connects registered attendees to representatives of the most respected and innovative organizations and individuals in film and journalism, and provides unparalleled face time with funders, producers, festival programmers, distributors, media outlets, reporters, writers and directors. In one-on-one sessions, they will unpack how they work, learn more about your goals, and explore the possibilities for supporting your project.

One Year In: Forging New Alliances in Funding and Distribution

As PBS redraws its role for nonfiction films and as major streaming platforms and traditional broadcasters narrow their slates for investigative documentaries, independent filmmakers face both daunting challenges and rare opportunities in getting their work to audiences. Navigating this unsettled territory—where public infrastructure is receding and corporate algorithms reign—has become a defining issue along today’s “New Fault Lines.” This session brings together leading voices from long-standing and emerging alternatives for...

The Black Swan

Over a six‑month covert operation beginning in mid‑2022, former corporate lawyer Amira Smajic partners with filmmaker Mads Brügger and a team of investigative journalists. Together they reopen Amira’s old consultancy in Copenhagen, installing hidden cameras. As criminal figures—including bike gang members, lawyers, entrepreneurs, and bureaucrats—enter seeking advice or collusion, the cameras capture everything in real time. The Black Swan reveals extensive networks of money laundering, tax fraud, invoice scams, environmental...