Evidence in an age of doubtEVIDENCE IN AN AGE OF DOUBT
The Screening Room // 2026 Film Slate
Scrub the reel to open each film.
REC · EXHIBIT 26-01
01 / 20
Directed byAndreas Dalsgaard
REC · EXHIBIT 26-02
02 / 20
Directed byAnne Sundberg
REC · EXHIBIT 26-03
03 / 20
Directed bySteven Leckart
REC · EXHIBIT 26-04
04 / 20
Directed byArjun Fischer
REC · EXHIBIT 26-07
07 / 20
Directed byAndrew Brown & Bea Wangondu
REC · EXHIBIT 26-10
10 / 20
Directed byJuliane Dressner & Miriam Shor
REC · EXHIBIT 26-15
15 / 20
Directed byMJ Desharnais
REC · EXHIBIT 26-17
17 / 20
Directed byShakiba Adil & Elina Hirvonen
REC · EXHIBIT 26-19
19 / 20
Directed byLaura Poitras, Rachel Mueller
REC · EXHIBIT 26-20
20 / 20
Directed byMaia Wikler
This year’s Double Exposure turns on a single question: what happens to a democracy when the record itself is under assault, not only from those who manufacture doubt, but from the institutions once trusted to dispel it?
On the Record once implied security. To speak on the record was to be heard, held, verified. That assurance has grown fragile. The doubt this year’s theme names goes beyond a failure of attention or good will. It has been produced by platforms that delete inconvenient histories, by officials who quietly remove data from public websites, by a media landscape in which false information travels faster than correction, and by powerful organizations that quietly revise what they once asserted, without acknowledging on the record that they were ever wrong.
The DX slate engages both realities: the deliberate assault on facts, and the earned skepticism that accumulates when the systems designed to anchor truth repeatedly come up short. Each film and discussion on this year’s program asks audiences to look at evidence directly, and to weigh it themselves.
In programming this year’s festival, we find ordinary people choosing to go on the record at personal cost: whistleblowers who spoke when silence would have been safer; community documentarians who captured what official channels declined to acknowledge; archivists who understood that preserving the image was itself a statement of belief. Their stories are not about the absence of truth. They are about the labor required to defend it.
Alongside premieres of riveting new films, the DX Public Forum offers panels, workshops, and Q&As that opens the festival’s work to everyone.
The festival is rooted in the belief that the rights and tools of accountability journalism are not exclusive to those with press credentials. The freedom to film in public spaces, to access public records, to demand that public bodies meet openly and not in secret, the skills to identify fabricated media: these belong to all of us. The Forum is designed for audiences who have felt the ground shift under what they thought they knew, and want to understand why.